Artistic Direction: Shani Tamari Matan and Moshe Shechter Avshalom
Choreography: Mor Shani, Ariel Cohen, Gilad Jerusalmy, Annabelle Dvir, Michal Samama
Original Music for piano composed and performed: Nitai Hershkovits
Costume and Set Design: Ariel Cohen
Artistic Development - Costume and Set Design: Moran Sanderovich
Lighting Design: Oded Komemi
Production Management: Gal Karmona
Stage Management: Shully Tseiger
Dancer (Michal Samama): Talia Paz
Dancers (Mor Shani): Matan Cohen, Ziv Besor
Dancers (Gilad Jerusalmy): Ofer Calev, Yori Mayron, Avinoam Caspi Greenfield, Eytan Mandel, Avishai Goldfarb, Menachem Goren, Oded Arnon, David Dishon, Eyal Friedlander, Peter Spiegel, Joseph Itzhak Rotestien, Gabi Yair, Yoni Schur, Yigal Elad, Skip Treisman
Dancers (Annabelle Dvir): Maya Navot, Maya Kahanov, Tamar Kaminsky

Seven choreographers deconstruct the concept of "war" in a collective dance piece, where each of the six scenes addresses an archetype about war. From the battlefield to the horror, from smug leaders to the displaced - each chapter unfolds a different "manifestation" of war, touching upon dimensions of conflict and their impact on the private and public body. Pianist Nitai Hershkovits joins the performance on stage, with original music for the piece.

In 1932, between two world wars, German choreographer Kurt Jooss premiered his ballet, "The Green Table״, one of the most subversive anti-war works in the history of dance. Jooss called the work a "political ballet." "All Spirits" draws inspiration from these ideas and places them within contemporary Israeli dance: a collective dance in six acts that addresses the winds of war and adopts a palindromic structure — like the endless militaristic cycle in which we are trapped.

The show includes partial nudity